To be clear, I’m not going to get into the microphone, EQ or preamp selections, I’m more talking about the space the orchestra is in. To kick things off, I’m going to start at the source, and talk about how the samples are recorded and what this means to us as composers and producers. If you are just getting started, and you’re interested in learning more about how to compose orchestral music using your DAW (digital audio workstation), and you want to understand some of the basics of orchestral sample libraries, then this is for you Please note: This series is orchestral sample libraries for the beginner. This will be my first in a series of posts where I share some of the key concepts that I use when composing and producing orchestral-based music using orchestral sample libraries. ![]() Orchestral sample libraries for the beginner | Part I: Wet vs Dry.
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